by Susan Lobb Porter | Art |
Got boats on the brain today. Remember this? The ‘dead zone’ work-in-progress. (Two days ago)
Turned into this? (Yesterday–and yes, I am most definitely getting the miles out of these photos. Shamelessly so.)
And then today…ta ta…went on a creative rampage. Before I could stop myself I grabbed some sharp and pointed instruments and did this:
Oh! Oh! WHAT HAPPENED!!! What were you THINKING Susan?
THIS is what happened. And THIS is what I thought, “Ahhhhhhhhhhhhhh….”
Here’s another one. This is a little guy, 6″X6″. For my wax savy friends there’s accretion going on in here. And intaglio. And oil bars.
And now my back is screaming at me for standing on a slab floor while quasi hunkering over a workbench for the better part of the day. I’m going to go stretch out. And then I’m going to have a cuppa tea. And some brownies.
by Susan Lobb Porter | Art
More works in progress. These are all oils on cradled board. Plastered first. I consider these the base paintings for layers of encaustic (hot beeswax). The wax will be incised, scribed, carved, added to…whatever moves me at the time. It will add layers of depth, like looking through clear water.
At least that’s the plan.
It will be a week or so before I can wax these. have to wait until they’re dry. Which is okay. I have six or eight others that are ready that I’ll get to this next weekend. Meanwhile I have a day job and a studio to clean.
Because after the productive frenzy of the last couple of days Studio Grande is a MESS.
Without further ado……………..here’s what I’ve been up to the last couple of days.
Two parter (diptych for my art peeps) First panel is 1’X2′. Second panel is 2’X2′.
Diptych # 2. Same size as # 1 Or maybe it will go as two separate paintings when all is said and done.
May add more to this. Ran out of time but like what’s there. Leave a lot of room for what I do with the wax. 2’X2′
This one was so much fun. The first of several that have a landscape feel. 2’X2′
More landscape feel. Big sucker, 2’X3′. Thinking it’s too busy, may go back and simplify.
And again. 2’X3′
I’ll post before and after photos as I finish these. Should be interesting, especially since Ms. Muse has been dropping hints, little AHA! twinkles but, umm…no real game plan.
And I splurged and ordered some R&F pigment sticks. Love love LOVE those things. Like painting with soft butter. They should be here in a day or two and that could change EVERYTHING. Like giving a teen a can of spray paint and a blank wall. So works-in-progress are just that, subject to change at the creative whim.
Stay tuned for more.
by Susan Lobb Porter | Art, Process |
See those three guys to the right, the birds? True confession: I go through stages where I use that image a lot. Three fat little birds, always blue, tweeting and twittering throughout my work in a non-social networking sort of way.
That particular painting has been hanging on my studio wall (ok, pinned to the studio wall) for ages. I’ve never been moved to move ’em out.
Earlier this summer I decided to paint them again, this time on plaster. I made a cradled board roughly the same size, coated it with plaster and painted the birds.
The end result was flat as day old beer. Wasn’t worth keeping. Wasn’t even worth photographing.
They had to…go away. But I wasn’t giving up that board without a fight. So I sanded it. Gave it a base coat of dark blue to bring out the cracks. Oh, and by the way, when working on plaster I prefer to use the cheap craft acrylics. Doesn’t have much binder and the plaster soaks it up, giving everything a chalky appearance whereas the good stuff just sits on the surface like plastic. And they’re so cheap you can buy armloads, truckloads, for next to nothing.
This is where I realized I’d scratched boxes around each bird. I could’ve filled them in with more plaster but that would’ve added another day for drying and I didn’t want to wait. And I would lose the cracks.
Warning: The next couple of photographs are out of focus. Squint. You’ll be fine.
I added some color as an undercoat. Don’t ask me how I choose color, I just do. And I guess this would be an over-undercoat since there was already a (mostly) blue base.
Toned it down with more paint to even things out. Sanded just a bit to bring out the under-colors. The texture is coming through and I’m happy with what’s happening.
I scratched some marks and filled them in with contrasting paint. Then I threw in some dots because I like dots. This is what it looked like before wax.
And this is what it looked like after. I incised into the wax, rubbed oil color into the scratches. Rub. Wipe. Rub. Wipe. Working this way is hands on down ‘n dirty.
You can see more of my plaster and wax work here.
