by Susan Lobb Porter | Kids, Process |
I called my friend Harriet once, around the time FirstBorn was thirteen. Maybe fourteen. Whatever…he was feeling his soon-to-be manly oats and was a total, absolute pain in the ass.
I wanted to kill him.
Oh, indeed I did. But first I needed to find out if a jury of my peers, i.e, mothers of teens, would put me away for life or give me a high five and send me to a spa. Prison was out, horizontal stripes make my ass look fat. But a spa? I could handle that.
So I called Harriet and asked if it was against the law if I did away with my son. Figured her kid, a few years older than mine, was still alive. I wanted to know if it was by choice or grand design.
She told me it was perfectly alright to kill him, as long as I ATE him. She said it with conviction, without any hesitation, so I knew it must be true.
But there wasn’t enough Maalox in the world to pull that one off.
I’m kind of glad I stuck it out with FirstBorn. He turned out okay. Pretty good, actually. And now when he calls and tells me what’s going on with Princess GrandDaughter, I find myself laughing and wheezing and enjoying myself immensely.
Because grandchildren are the best payback.
And now that we’ve established that, I’m going to put on my Arty Life hat and tell you to gather ’round. Because I don’t want to shout, not on the interwebs, not where everyone can hear me. Because they might not understand when I say artists must kill their children.
No no no…don’t jump to any conclusions and call me as your defense witness. The children I’m talking about the ones that bleed paint. Or clay. The ones you’ve put your heart and soul in and then one day you look at them and think you suck. Or maybe just I can do better than this.
The number one lesson I teach my students is nothing you do is precious. You need to be free to experiment and push beyond your comfort zone in order to find your creative boundaries. And once you find them you need to push past them too.
It’s incredibly liberating to create without attachment to the outcome.
This was an assignment from Judy Wise and Stephanie Lee’s Plaster Workshop. I carved a portrait of a young girl into a plaster covered board and then painted it. There was nothing wrong with it, I’m sure someone would’ve bought it some day. But to me it was an assignment. I didn’t feel my artist voice. So after letting her hang around the studio for a couple of months, I whipped out some joint compound and had my way with her.
Looks like buttercream icing, doesn’t it? But it’s not, I assure you it was death-in-a-can for the poor dear. But her passing gave rise to this…
One of my all time favorite pieces. Something from the sweet creative spot.
The title? Portrait of a Young Girl, Revisited. Of course.
by Susan Lobb Porter | Kids, Life |
You see that face? That sweet, innocent face?
That sweet little innocent face put TEN YEARS on me in a matter of three seconds. Turned my hair white. Sent my heart leaping from my chest in fear only a mother can know. Only a mother who KNOWS that the end has come.
She was around the age you see up there, outside in the backyard playing with her brother. I was in the kitchen making lunch. Or dinner. I don’t remember exactly what.
But I’ll never forget the SCREAM.
High C. Higher than that. A stratosphere piercing wail capable of bringing down passing aircraft. I. Am. NOT. Exaggerating. Not at all. A cry so awful, so dramatic it could only mean one thing. Three things. Blood. Broken bones. Death.
I saw it in my mind’s eye. AWFUL THINGS!!! Arterial spewing. Jagged bone jutting through muscle, flesh and princess tights. Lifeless children (except the screamer) tangled in the swings.
I dropped what I was doing. Raced out the backdoor. Took in the sight before me in a nanosecond. Two children, both alive. The screamer upright, standing next to the swing. Looking for all the world like she was posing for Edvard Munch. Her brother standing nearby begging her to stop.
No blood. No broken bones. No fallen aircraft, monsters or rabid dogs.
Just. A. Spider. A little, bitty spider. A spider that wasn’t even there anymore, most likely incinerated by her hot flaming piercing FREAKIN’ scream.
I fell to my knees, hugged her tightly, kissed her sweaty little cheeks. And then when things settled down I told both children that screams like that were only for the most dire emergencies. For blood. Broken bones. Severed body parts. And that Mommy most likely would not survive another one.
Well, I gave them the kid version. But they knew what I meant.
We all survived. They grew up.
The screamer graduated with honors from one of the world’s top universities.
And moved back home because there aren’t any jobs.
I was sitting on the sofa an hour or so ago. Exhausted to the point of vegetation. It was late. Probably 10. Quite dark when she took one of the dogs out in the back yard. Not a fancy civilized back yard, just a fenced in area to keep the coyotes out. And the bears. And mountain lions.
I was sitting here thinking I was going to skip writing a post tonight. I was too tired. I was okay with that decision and was settling in even deeper on the sofa…we have very comfortable furniture, a little ragged but comfy… I was almost drifting off when I heard THE SCREAM.
AGAIN.
The same scream. Except this time she’s an adult. And we live in the country. Wild animals. Hungry animals. And dogs so small, they’re no protection, just appetizers.
Oh. Dear. God.
I tossed the laptop aside, ran to the door, fully prepared to fight off a bear, wrestle a dog or my daughter from the jaws of a lion. We reached the door at the same time. Me from the safety of the living room, daughter from the wilderness. The dog was with her. I saw no blood, broken bones, gaping wounds.
WHAT??? What what what what WHAT?????
It took a few seconds for her to settle down, to explain what happened. And when she did, she sounded like she had a world class wedgie and a few hits of helium. But I was able to piece it together. Mothers can do that, you know.
We have to.
And if she ever sees another moth and screams like that again, well, I’m not about to lose any more decades over creepy crawly flying things, if you know what I mean.
Even if it was a really BIG moth.
